Posted in Late Night Thoughts, Questions for you, science, Uncategorized, writing

Death in the Anthropocene

I fell asleep at 8pm last night and woke up at 5 this morning and so let’s talk about death.

I read this essay called Learning How to Die in the Anthropocene by Roy Scranton in the book Modern Ethics in 77 Arguments. If you’re a philosophy buff like me, if you took a lot of classes in undergraduate college on the subject and found that you talked often about the older guys and not so much about the people today, then this is the book for you. I will say some of the people today are lacking in their creative abilities and misunderstanding a lot of basic philosophical concepts, but I guess that’s just how we move with the time.

How to Die in the Anthropocene (our new era today), though, is well above some of the other essays I’ve read so far in this book. It talks about facing one’s death in light of climate change, in light of war, in light of being human and succumbing to our ultimate end. Scranton challenges that a bunch of philosophers sitting around and talking about life doesn’t make changes, BUT that the Anthropocene may indeed be the most philosophical of ages in that it’s requiring we question what it means to live, what does being human mean, and, most importantly, what do our lives mean in the face of death? He says, “What does one life mean in the face of species death or the collapse of global civilization? How do we make meaningful choices in the shadow of our inevitable end? . . . we have entered humanity’s most philosophical age–for this is precisely the problem of the Anthropocene. The rub is that now we have to learn how to die not as individuals, but as civilization.”

He describes his time in Iraq and how he faced death everyday. Yamamoto Tsunetomo’s Hagakure, a samurai manual, provided some solace. It said we should “meditate on inevitable death” daily. And so Scranton did so, imaging each day that he’d be blown up or shot or killed in some other war-torn, horrific sense, and he’d tell himself he didn’t need to worry because he was already dead. What mattered, then, was helping others come back alive. Tsunetomo says, “If by setting one’s heart right every morning and evening, one is able to live as though his body were already dead. . . He gains freedom in the Way.”

In the end, we realize that we are already dead. Each day is a new death for us in that every moment is something new, the next moment new still. We are indeed living death. Scranton doesn’t focus on what we need to do to save ourselves or our planet, he focuses on the fact that we’re already dead and that instead we should focus on adapting to this new way of life; “we can continue acting as if tomorrow will be just like yesterday, growing less and less prepared for each new disaster . . . or we can learn to see each day as the death of what came before, freeing ourselves to deal with whatever problems the present offers without attachment or fear.”

That is learning how to die.

We can apply this to physical life just the same as Scranton did. When someone passes, they leave behind what has come before (life) and if they move on to something, each moment will start anew again, as there is nothing that doesn’t come with something; if something came alone, there would be no such thing as nothing, and visa-versa. If we didn’t have death, there would be no life, quite literally, and so to those wondering whether living infinitely is possible, it’s not. You wouldn’t be alive if you can’t die. You couldn’t even “be” because there is no chance for you to “not be.” Sorry to burst your bubble.

I would argue that in the face of death our life means exactly what it’s meant to mean: we are here, shortly, and then we are not, and that goes the same for the bee that stung my foot, for the plants I sniffed as a child, for my first cat who died peacefully on the kitchen floor. We aren’t here to make a purpose on earth, we’re here to die. And the sooner you’re okay with that, the sooner life will be enjoyable.

Death hurts. I would go so far as to say it’s the most hollow, defeating, crushing feeling I’ve ever felt, to have someone pass on without either of you ready for that. But it doesn’t have to be. They have not only graduated from life, they’ve completed their purpose.

We can’t know if anything is next, we’re almost purposefully physically limited from ever knowing something like that. All we can know is that we will all complete the same end-goal and we should find celebration and happiness in what people do here and in their graduation.

This isn’t a somber topic. Rejoice.

Until next time.

Don’t forget to hit that follow button and join me over on Instagram @alilivesagain or on Twitter @Thephilopsychotic.

Posted in Community, Emotions, Questions for you, Uncategorized, writing

The Qualms of Writing

Update: I still haven’t read more than another page of that book.

You guys.

It’s hard.

I’m so invested in the plot line, that’s why I keep picking it up, but the writing style boils my tears and subsequently scorches my irises. Nothing against the author, but I hope she never writers another book like this as long as she lives. That being said, I’d still choose this work over anything ever written by Stephanie Meyer(s?) or E.L James. Stephanie reminds me of that one girl in seventh grade with popular friends, but who isn’t actually popular herself, and all her popular friends read a fanfic she’s written and hype up her skills just to fuck with her. And then it blows up in Wattpad and she considers herself a “writer.”

It’s not that internet clout or self-publishing is bad, it’s that people with little or no understanding of how language actually works keep getting these life-changing deals, and it’s quite frustrating for the rest of us.

I haven’t actually fully read E.L James’ anything (fifty shades, The Mister, etc.), just snippets, but she can also take a middle finger for the team. And if you’ve never read Stephanie Meyer(s?) blogs on her website: DEAR LORD. I feel like I’m reading the style of my own angsty teenage rants.

I used to think I was an amazing writer. When I was 11 and homeless, I started writing a novel I thought would go viral. My characters were actually very well developed, as my teenaged-beta-readers pointed out, but as I got older and learned more about language and how stories proceed and went to workshops and fiction classes and the likes, I realized what I wrote wasn’t any better than that shit on the bottom of your shoe right now. What that writing did for me was get out feelings, pains, and provide a save haven for my convoluted mind that was already descending into madness.

I pulled a side-character from that jumbled mess and that’s my protagonist in my current WIP. It’s much better than when I was 11, I promise that. Is it publisher worthy? Well, after I finish this edit, get some more beta readers, ask an editor, and find an agent, I’ll let you know.

I write short stories as well. I’ve got one written in the form of a letter by a woman in jail. She’s writing her sister to inform her of what REALLY happened. It’s just under 3000 words, so about 4 Word doc pages. So far my beta-readers have come back with positive feedback and have pointed out typos and grammar I’ve somehow missed in my two months worth of re-readings. I’ll be submitting it before the end of March to a small magazine, which is why I’m not sharing it online.

It’s true you don’t need a reputation to eventually publish a novel, but let me tell you–like for everything else in life, reputation helps.

I’m always looking for beta-readers for my work and I’m always open to being a beta-reader for others. I am reading a friends’ memoir currently and doing some editing. I’ve always been the editor for people, and I’m realizing how much I enjoy it, more-so when I get to work with them one-on-one to figure out their voice with them. I don’t always make the edits for them because I’m not a professional editor trying to get people’s work published, but sometimes I do.

What about you guys? Do you plan to self-publish? Do you have any works on display on your site? Have you won any contests? The last one I won was local and I was 17 years old. Do you consider yourself a writer?

I’m going to go mull over my thoughts on a bike ride. Until next time.

Don’t forget to hit that follow button and join me on Instagram @alilivesagain or on twitter @philopsychotic.

Posted in Community, Emotions, Questions for you, writing

Passion for Passion

I didn’t read last night. I’ve disappointed all 1.5 of you.

What keeps you motivated to do what you love? I’ve noticed sometimes it’s not enough just to like something or have passion for something. For example, I love my job, but I’m leaving this week. I still have passion for the field, but there’s something tugging on me, telling me that there’s something beyond it I must strive for. There’s also the fact that mentally I can’t handle it anymore, not with the same strength I had five years ago. I’m also craving something new, something shiny or something sooty, something rough or smooth, anything, really, that’s different. I’m very fortunate that although my finances suck at the moment, I will have enough to keep my bills paid for a few months before I need to look for another job.

I’m also a college student, if that makes things any better. It took me 7 years to get my associates degree because of medical problems, and now at 25 I’m not sure I want to keep the major I’ve persisted through hell to complete.

Another passion that I’m still fairly passionate about, lost.

I relate this to reading; I’ve read plenty of poor books that held my interest stronger than the exceptional ones. It’s almost as if when the analytic side of me isn’t challenged, I’m not interested.

My current job works with people. People often have problems, but not problems that are necessarily better helped with concrete solutions. I realize I need a position that challenges me logically, philosophically, and analytically. I also think I work better by myself. Do you ever feel that way about certain things? As if you’re not living up to your potential because you just haven’t found where you belong yet?

I feel like that’s angsty teen shit. Turns out it’s angsty adult shit, too.

What keeps you motivated to read a book is just as fair of a question. I’m reading another book called The Morality Play which I love every time I pick it up, but I’m having trouble staying consistent with reading it overt his last month. It’s a small book, about 188 pages. In contrast, I read The World According to Garp in just over five hours once. That’s about 609 pages.

Is it really just as simple as “it’s an off day” or “it’s a good day?”

Is it really that simple?

I’m both exhausted and mystified by the complexity of life. Maybe I should go read.

Don’t forget to hit that follow button and come join me on Instagram @Alilivesagain or Twitter @thephilopsychotic.

Posted in Community, Questions for you, writing

To All The Crass bunches of “Douche McGoos” out there

A lot of book reviews are reviewed when the reader has finished the book and established a (mostly) secure opinion of the content. I’m not one to do things in an orderly fashion. I’ll be reviewing this book as I read it because there are some truly awful mannerisms of the characters that I’m too lazy to annotate or remember, and there are some truly wonderful descriptions and plot ideas. I figured this would also ensure I keep up with reading.

This site won’t always be book reviews, but when it is, I’m sippin’ Captain Morgan.

Fun fact: I HATE rum. And we’re talking about the book Hollow Kingdom again. Their crow is much better than that shitty one I drew yesterday.

I read some more last night and identified the mannerisms of the characters I can’t stand Let’s start with that.

*SPOILERSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS*

Do you all remember the novel Watership Down? They made a godawful (in my opinion) Netflix adaptation. The book itself is about societal politics, but from the point of view of a commune of rabbits. Hollow Kingdom is quite the opposite, being set in a newly apocalyptic world, with the story told from the point of view of multiple animals, the main character being a crow named “shit turd,” obviously called so by the human he used to hang around.

I should have known. That name was a bright red flag.

Shit Turd calls humans “Mofos,” which I honestly found cute in the beginning in the sense that he picked it up from Jim, his human, and I thought that was the last cheesy fucking name I’d hear. It seems it’s only the beginning.

A cat calls his humans Mediocre Servants (which again, kind of cute, not terrible) but also proceeds to identify them as “dildo nosed potatoes.”

Geese are referred to as a “crass bunch of douche McGoos.”

I . . .

Look ya’ll. If it was ONE character in the book with these mannerisms, if this was a character trait–or, rather, FLAW–then maybe I could tolerate it. But it seems every character so far (Shit Turd, otherwise known as S.T; Genghis cat, and Winnie The Poodle) has the same narrative voice. The only name I’m mildly entertained by is Spark Pug. That’s . . . that’s beautiful.

And while these pervasive, amateur, cheesy phrases are spread through this book with reckless abandon, there are some savior scenes which I’ve enjoyed so far. When S.T. realizes Walgreens carries over the counter medication that could save Jim, he figures he should fly up in there and get some. He encounters four zombies punching buttons on a blood pressure machine and after yelling at them unsuccessfully, S.T. gathers Monistat, Sally Hansen Airbrush Legs, Lasix, Prilosec OTC, E-Mycin, Keflex, and Summer’s Eve, all of which “sounded effective” and would cure Big Jim. Low and behold, Summer’s Eve, that traitor bitch, fell out of the bag and knocked against the check-out stand, startling the four blood pressure zombies and some pharmacy zombies who were hiding. They all rushed for S.T. and he dropped more items while being swiped at. Eventually he gathered all the items to drop off to Jim.

So far if I were to give this book a rating, I’m sitting at about a solid 3/5. That’s being generous, only for the sake of the savior scenes like the one I described above. If she wouldn’t have written those well, I would have gave this book away to someone who enjoys reading without getting immersed in diction, syntax, plot, story, narrative voice and figurative language.

What do you guys think? Should I keep putting out an opinion on this book or have you had enough? Do you really not care at all? Let me know what you think. Give me a thumbs up emoji, even, or a thumbs down emoji or even that emoji that’s supposed to be ice cream but looks like a pile of shit. I’m happy with all of it.

Until next time.

Don’t forget to hit the follow button and come join me on Instagram @Alilivesagain or Twitter @thephilopsychotic

I’m learning Reels on IG, so this should be interesting. Come join me.

Join me. I have no friends, so I need internet buddies.

Posted in Community, Emotions, Late Night Thoughts, Questions for you, writing

Books and Things and Things and Books!

How incredibly lucky we all are. This sentence has absolutely nothing to do with this post. I’ve just been reflecting on things, and figured maybe it will spark others into reflection as well.

I picked up a book called Modern Ethics in 77 arguments and have sworn myself to at least an argument essay a day. This last one I read was actually about human nature, evolution, and our inner conflict: what makes us altruistic or callous? Are some people born good and some born bad or are we born neither one of them and simply learn traits? The author of that essay is a biological mathematician and from his studies he says we are all a mix of everything really, and I think that’s always the answer in real science. People think just because we study something that we’re going to get concrete answers and that’s rarely ever the case. Life is complicated, biology and chemistry much more so.

The other book I’m reading is called Hollow Kingdom by Kira Jane Buxton. It was laying dormant on a table surrounded by cheesy romance/friendship novels in the middle of Barnes and Noble. It’s bright green with a picture of a wide-eyed crow above the city of Seattle, Washington. Of course I fucking grabbed it.

The synopsis of the story is that this crow visits this human everyday, at least he has been, and this time he visits, his human’s eye falls out. Then his human is wandering around, banging his head against the wall and bleeding from his fingers. Obviously the world has been zombified and this crow is our witness from the beginning. The idea is fun and strange, but sometimes her writing comes off as amateur. Amateur in the sense that there are a lot of unnecessary descriptors, things that you’re told not to do, or things you’re told to watch out for, when you’re in a creative writing workshop/class. This is her debut novel, so I’m giving her some slack. I’ll come back with more information once I finish the book. Both of the books.

You see, the picture above was going to be what the cover looks like, but then I made it dark. That thing was supposed to be a crow, but because I am not a drawer gifted by the gods, it came out looking like it’d been mangled by a car. So I turned it into Crowthulu. Sue me.

What do you all enjoy most about reading? What kind of books do you enjoy? I like anything that deviates from the norm, or if it’s within the parameters of the norm, it must be creative in other ways, like poetic syntax or narrative voice. Something that for me I consider in the “norm” would be books that express ultra-realistic relationships and experiences in the world, books that don’t embrace magical realism, paranormal things or super-human qualities. A book that follows a woman after a messy divorce, to me, is within the norm, and I’m willing to read it if there’s something about it that stands out.

I’m very cautious about that now. I read Eileen by Ottessa Moshfegh and almost emailed her to get my two days worth of reading back. Her book follows a troubled girl who meets a fantastical (but very real and normal) woman.

I mean, that’s literally the plot.

She meets the woman, spends the remainder of the book describing every little feeling she experiences, every little bit of hatred she has for her alcoholic father, whines, and then this BIG THING that is constantly foreshadowed in the book happens within a few pages and it’s the end.

As a writer, I’m not here to tear other writers down, but when something just ISN’T IT, I’m going to say it, and I’d hope fellow writers would have the same mentality toward my work.

Comment some of your favorite books or short stories or poetry or some of your worst of all of the above! Let’s all give each other something to read.

I personally love to read books that I don’t find that good. It’s more of a learning tool than anything.

What do you think?

Please hit that follow button if you’re enjoying what you read, and come meet me on Instagram @ alilivesagain!

Posted in Questions for you, Uncategorized, writing

Beta Readers? Beta Reading?

Sometimes this is fruitless, but I’ve decided to put it out in the ether anyway: anyone out there in need of a beta reader? I love reading others’ works. I’m editing a friends’ memoir currently. I’m also looking for beta readers of my own for a short story I’m submitting to a competition in March. I’m looking for feedback and/or constructive criticism, as well as a fresh perspective for the content and/or any typos. I’ve had a few anonymous eyes read it already. It’s about 3.5 printer pages (word document) and is written in the form of a letter. It’s quite amusing if you ask me, but I’m the writer.

Although, I will say that not all of my writing amuses me. Most of the time I find it grotesque.

Maddening.

Irreparable.

I could go on and on.

Does any one else stay up late into the night contemplating their works’ successes and then wake the next morning only to realize it will inherently fail?

I’m being morbid. In reality, most of our writing will never be read by anyone.

Is that still too morbid?

A lot of people say that it doesn’t matter, that you just write for you, and that’s great for them and all, but I’ve never written something that I wouldn’t want read by someone else. I write as a form of communication, as a way to delve into the hearts and minds and souls of people I’ll never meet.

The point of this post is to ask for Beta Readers. So I’ll ask again: anyone want to swap writings or read mine or want me to read theirs? If so, you can comment down below, email me at alishia.dauterive@icloud.com OR reach out to me on Instagram @alilivesagain. That’s probably the fastest way. I had to erase my contact page on here to make space for other things. I’ve also forgotten how to work WordPress.

Thanks guys.

Posted in Peer Support, Questions for you, science, Voices

What’s Your Ideal Treatment?

I think one thing that frustrates me the most about mental health treatment services today is that the services available are shoddy, expensive, and instead of being tailored toward the individual they’re tailored to the diagnosis.

For example, if you walk in to your average psychiatrist and say: “I have a diagnosis of Schizophrenia. My mom just passed and I’ve been struggling a lot at work. I haven’t had to be on meds for a while (or, I’m on a low dose of meds, or my medication usually works), and really I’ve just been struggling with anxiety. I’m shaking a lot and I think I need some help. What do you suggest?” Chances are all your psychiatrist heard was “schizophrenia”.

It’s better to leave the diagnosis out of it.

I use this example because I can empathize with it. My most recent psychiatrist, for example, couldn’t get it out of her head that I hear voices sometimes, even though I said my voices and I are on pretty decent terms compared to what others struggle through. For me, they aren’t 24/7, they are a mix of inside my head and outside of my head, aren’t very commanding, and I gather comfort from their perspective sometimes. I am not overly attached to them. What I went to her for was anxiety and mood issues, as my official diagnosis is schizoAFFECTIVE. She seemed to remove the affective part, completely ignored the fact that a death close to me unhinged me (she said “Oh, that’s tough”, and moved on), and continuously tried to medicate my voices instead of focusing on ways I could help my anxiety–the reason I came to her.

Mind you, through all of our appointments, she never once asked me what my voices are like, what I think about them, how they respond to me. The reception staff messed up on my insurance and suddenly I owe them money I don’t have. Every time I email her for a simple question, which could be answered in an email, she wants to set up an appointment so I have to pay for it. This is why I stayed away from mainstream mental health.

But it’s not just that.

Studies show residential, communal, and peer support services are, dare I say, essential for growth and recovery, and yet you’ll be hard pressed to find any of those services affordable, available, or promoted in your area. I work in peer support, and I didn’t learn about any programs until I got a job there. Doctors didn’t know, therapists didn’t know, and of course it would be much too hard for them to do their job and help me find something.

Maybe this is just a California complaint.

There are wonderful communal options and residential facilities, places where true growth and opportunity are available . . .to those who can afford 35,000 dollars a month.

My point here is not a rant. My point is that mental health treatment has gone from ice baths in asylums backed by half-assed scientists to money traps and one-size-fits-all cardboard boxes backed by people with degrees who haven’t read a psychological research paper since their undergraduate research methods class.

We’ve dropped the ice baths, the asylums, AND the scientists.

Don’t you think this needs to change? What would you change? What is your version of ideal treatment? Leave your comments below or come to my instagram and join the discussion!

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